Xavier Méndez Úbeda confronts the contradictions of contemporary society in an ironic, hurtful, pessimistic, and sometimes terrifying, way. He uses resources from post-rock, noise, ambient, minimalism, new age, etc. There is no genre where he does not make a poor digestion of it, and from which he regurgitates incomplete works full of an enraged but placated soul, sad, weary.
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